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    Actress Hands - 'Boys Need Jazz' (Life Is Easy) Released 10/09/07

    an attempt at reliving the heights of that creative, care free 90's shoe gaze period...

    August 13, 2007 by Matt Clutton
    Actress Hands - 'Boys Need Jazz' (Life Is Easy) Released 10/09/07
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    After spending what seems an absolute age travelling the length and breath of the UK touring alongside names like The Pipettes and Dinosaur Jr, Actress Hands release their album 'Boys Need Jazz'. Recorded almost a year ago it would seem that the bands debut album is an attempt at reliving the heights of that creative, care free 90's shoe gaze period.

    Opener 'Can't Believe What I'm Hearing' is a harmonic yet subdued initiation to any newcomer of the Brighton based four piece. Like a Marillion tribute act, Actress Hands step up with a harmonically charged number with vocals comparable to the afore mention middle aged rockers and a spell binding acoustical accompaniment. 'Snack Horse' is a significant improvement on the album's opener with far more pizzazz about it. With a catchy melody running throughout and the intervention of a little brass courtesy of Phil Sumner the track draws upon the spirit and magical craft of Dire Straits for inspiration.

    The songs title track 'Boys Need Jazz', as the hype around them suggests, is a certain step up from previous material and emits an overly edgy sound over and above band influences Teenage Fanclub and Guided By Voices. From here on however the albums quality seems to plateau.

    Many of Actress Hands tracks like 'Never Run' and 'The Reducer' have beautifully orchestrated instrumentation, rhythm, and catchy melodies but what lets this summery album down is the vocal drudgery of lead guitarist Matt Eaton. Uncomfortable to listen at times, lyrics fit awkwardly in places and Eaton makes a hash of things by droning his lyrics out like a half comatosed hobo. Bar the first three or four tracks on this album, Eaton's vocal lets the side down sounding less like the quality of Marillion's Steve Hogarth and fitting more into the bracket of 'highly annoying vocalist' with the likes of Kate Nash.

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    (3)
    • Saw the actress hands at the Engine Rooms (Brighton) in May and have to disagree with this review and the credibility of a music journalist that draws comparisons with marrilion and dire straits. The lead vocals of Matt Eaton are a refreshing change from the popular angry provincial teen voice that currently fills our radio waves and combined with the ”beautifully orchestrated instrumentation, rhythm, and catchy melodies” (I agree with that bit!!) make this an album one to look forw

      ~ by Marc, Brighton 8/13/2007 Report

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    • How can you compare this to Marillion? That is like comparing a haddock to a tooth pick. Matt Eaton’s vocals might sound a little awkward, listen at Duglas T Stewart of BMX Bandits so does he - that does not detract from the beauty and the honesty of the music. Stop punishing us with your ill informed opinions. You are obviously not qualified to review music if you are only able to compare melodic lushness with dated toss.

      ~ by Mr Ormes Eye, Stroud 8/15/2007 Report

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    • I have owned this album for several years now, and i still rate it amongst one of the finest to have emerged from the Brighton music scene in recent years. It deserved greater exposure than it achieved, and granted, the lead vocal is not perhaps to everyone's taste, but i believe the quality of the musicianship and arrangements make this fantastic set of songs easliy as listenable as Teenage Fanclub or Dinosaur Jr (who AH toured with). This reviewer is obviously trapped in the 1980s.

      ~ by Ric, London 7/8/2010 Report

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