Analog Africa are on a roll
Martin Leitch
11:00 28th August 2021

Germany's Analog Africa have been on something of a roll lately. Between the much-loved archival label's ongoing reissue campaign of their own scarcer back-catalogues titles and a string of reliably fantastic new titles, the Berlin-based outfit have managed to confidently assert themselves as one of the most vital reissue labels of the current moment.

Though eclectic in both their cultural backgrounds and stylistic approaches, the artists favoured by the label tend to—as its name would suggest—tail from Africa, though founder Samy Ben Redjeb also possesses an evident penchant for South America's sonic heritage, as his label's frequent sojourns to that particular continent demonstrate. For their latest release, though, they've headed back to Africa in service of anthologising the frenetic auditory salvos collated on Cameroon Garage Funk 1964 - 1979. A series of sixteen livewire explosions in sound, the songs here are immediate, vital and instantaneously engaging—all qualities which lend this set a magnetism that's difficult to resist.

Though by no means strangers to high-quality vinyl releases, Analog Africa have really outdone themselves this time. Long-term followers of their output will be well aware of the label's scrupulous attention to detail, a trait borne out in the meticulously-researched booklets which are included with the bulk of their releases, as well as the reliably striking visual aesthetic which adorns every release.

The cover itself is highly impressive:an arresting, broad-spined gatefold wrought from weighty textured card, the sleeve is one which presents the prospective buyer with a definite air of luxury before the records themselves have even hit the deck. The booklet is likewise a treat, visually impressive and of stout quality; the reading material is informative and astute, lending a welcome context to Cameroon Garage Funk's sixteen compositions that proves particularly enlightening for those previously unfamiliar with the artists highlighted here.

At over an hour in length, the compilation's capacious runtime is enough to necessitate its presentation over two separate LPs. With each side therefore clocking in at just a little over a quarter of an hour, there's certainly no risk of the inner groove distortion or other sonic maladies which can all-too-often plague records where too great an amount of music has been pressed onto any given side. Indeed, the audio quality is impressive throughout; remastering has been carried out on each of these sixteen compositions, lending them a crispness impressive for any recordings of their vintage.

The auditory quality of the pressings is likewise excellent; though neither of the two mid-weight black vinyl LPs sat perfectly flat upon the platter in the case of our example, both records offer very clean playback, bearing not a single notable imperfection at any point across the compilation's hour-plus runtime. Both records were also visually commendable, boasting handsome lustres free of the surface blemishes which can—rather frustratingly—appear on brand-new records manufactured at certain pressing plants.

Another captivating compilation from one of Europe's most important archival labels, Cameroon Garage Funk is a joy from start-to-finish, both in regards to its electrifying musical content and its top-notch vinyl release. Classy in its presentation, thorough in its background research and impressive in its sound quality, this is an easy release to recommend to any with an interest in infectious, funky grooves and high-energy auditory workouts.


Photo: Press