 Photo: Janice French
 Photo: Janice French

 The Italian Goth metal band Lacuna Coil is up next. The vocals of Cristina Scabbia and Andrea Ferro create an otherworldly and ethereal sound that is akin to the edge and power of Grace Slick. They take us deep into the metal realm as five members line up across the front of the stage, crouch down and head bang, sending their dark hair flying during the intro to ‘Enjoy the Silence’ - a cover of the Depeche Mode classic. Cristina and Andrea stand face to face and sing while the audience beat their hands in the air. The music lulls, Cristina lets out a haunting, melodic cry and Andrea puts his finger to his lips “Shhhh...” It ends in silence. The crowd erupts into a heartfelt cheer!  ‘What I See’ starts with a clashing bass and drums whilst Cristina gets on her knees, bows her head and releases a long wandering siren call. She gets up and sings with Andrea and at one point during this song all the music stops, a singular cascading guitar plays then the full instrumentals kick back in. It’s a dramatic and enticing presentation as she finishes this piece on her knees just as it had begun. They play ‘Our Truth’ which is on the soundtrack of the movie “Underworld:Evolution,” then bow and leave. The applause and screams continue long after they are gone and rightfully so.
The Italian Goth metal band Lacuna Coil is up next. The vocals of Cristina Scabbia and Andrea Ferro create an otherworldly and ethereal sound that is akin to the edge and power of Grace Slick. They take us deep into the metal realm as five members line up across the front of the stage, crouch down and head bang, sending their dark hair flying during the intro to ‘Enjoy the Silence’ - a cover of the Depeche Mode classic. Cristina and Andrea stand face to face and sing while the audience beat their hands in the air. The music lulls, Cristina lets out a haunting, melodic cry and Andrea puts his finger to his lips “Shhhh...” It ends in silence. The crowd erupts into a heartfelt cheer!  ‘What I See’ starts with a clashing bass and drums whilst Cristina gets on her knees, bows her head and releases a long wandering siren call. She gets up and sings with Andrea and at one point during this song all the music stops, a singular cascading guitar plays then the full instrumentals kick back in. It’s a dramatic and enticing presentation as she finishes this piece on her knees just as it had begun. They play ‘Our Truth’ which is on the soundtrack of the movie “Underworld:Evolution,” then bow and leave. The applause and screams continue long after they are gone and rightfully so.Hatebreed gets the rabble pumped up as their self assured and adrenaline fueled metalcore music takes over the stage. A heavy chugging bass brings in the anthemion ‘Live For This’ to a jumping, screaming mob in the pit. They beat the rock sign in the air and begin to form the pavilion’s first mosh of the evening. Jamey Jasta rages “If you don't live for something, You'll die for nothing…” It seems everyone is standing now and a deafening cheer ensues when this forceful band is done.
A silver cloth is pulled across the stage as Disturbed sets up. The curtain drops like a feather and immediately a roar breaks out and all eyes are on David Draiman, the vocalist. John Moyer’s bass chugs deep and a familiar primal cat call is heard then ‘Stricken’ takes the crowd over. It leaves us breathless as Dan Donegan, lead guitarist, performs a cool, high and piercing lick then David’s voice soars and pounds out the next verse. It’s a rare experience at any concert to not just hear but feel the power of an artist voice and David accomplishes that quickly. He has a commanding, calm and powerful presence that is undeniably unifying as people sings ‘Just Stop’ with him. From top to bottom of the venue people hold up lighters and cell phones setting their faces aglow and creating a cool spectacle. Dave stands in a white spot light with his arm raised and makes a fist. Disturbed owns the place. Mike Wengren’s drums start a tribal beat, Dave gives a primal call and they play 'Down With The Sickness' while thousands beat their hands in the air.
 The alternative metal music of System Of A Down is almost delightfully unclassifiable. It is fitting that they start with B.Y.O.B. a popular song for the desert people of Arizona. Regardless of the full meaning of the song we all sing along with “Everybody's going to the party have a real good time. Dancing in the desert blowing up the sunshine..” so much for setting askew the antiwar meaning behind this song as several people raise their cups full of beer skyward. ‘Chop Suey’ is skillfully performed. Let Gigwise put to rest the gossip. SOAD sounds better live and the difficult changes in tempo and vocal quality are performed easily by Serj Tankian. The performance is top notch and well worth the day of waiting as he launches into ‘Lonely Day’ with beautiful vocals are that clear and incredible. They play a ton of songs including ‘Lost In Hollywood’ and ‘Hypnotize.’ How can you neat that?
The alternative metal music of System Of A Down is almost delightfully unclassifiable. It is fitting that they start with B.Y.O.B. a popular song for the desert people of Arizona. Regardless of the full meaning of the song we all sing along with “Everybody's going to the party have a real good time. Dancing in the desert blowing up the sunshine..” so much for setting askew the antiwar meaning behind this song as several people raise their cups full of beer skyward. ‘Chop Suey’ is skillfully performed. Let Gigwise put to rest the gossip. SOAD sounds better live and the difficult changes in tempo and vocal quality are performed easily by Serj Tankian. The performance is top notch and well worth the day of waiting as he launches into ‘Lonely Day’ with beautiful vocals are that clear and incredible. They play a ton of songs including ‘Lost In Hollywood’ and ‘Hypnotize.’ How can you neat that? 
 
 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
