Band end UK Psycho tour in style - watch
Andrew Trendell

08:32 24th March 2015

Muse ended their UK Psycho tour with an epic show at Brighton Dome last night (Monday 23 March), performing new single 'Dead Inside' for the first time. See footage, photos and the setlist below. 

To launch their upcoming album Drones, the stadium-filling trio have been touring more intimate UK venues with support from Marmozets. The tour came to an end at Brighton Dome last night, following the band's world premiere of lead single 'Dead Inside'.

We were there, and trust us when we say it was pretty special. Check out eight things we learned from the show and the tour here.

After opening with the circle-pit inspiring rock rush of 'Psycho', frontman Matt Bellamy humbly told the hollering crowd: "I don't know if you heard me bumbling on the radio earlier on, but we're about to play a brand new song" - before bursting into 'Dead Inside'.

In a similar pop vein to 'Madness' and 'Undisclosed Desires', the track bubbles along with a sweet and infectious yearning, while live the rockier elements, soaring crescendo and piercing, punctuating arena drums leave us in no doubt that this is will soon be a favourite in their set, let alone an epic album opener.  

Watch Muse performing 'Psycho' below

Elsewhere in the set, Muse payed tribute to Brighton, with Bellamy telling of how the band lived there in Winston Churchill's old house for the making of Absolution, where things "got a bit weird." They again dropped new track 'Reapers', as well as b-side 'The Groove' and early Showbiz single 'Uno'.

It was a rare privilege and pleasure to see Muse destroy such a small hall before Download Festival and an imminent arena tour surely beckon. 

- Check back soon for our full reaction to the Brighton show

Muse played:
Psycho
Map of the Problematique
Dead Inside (Live premiere)
Bliss
Time Is Running Out
Interlude
Hysteria
Stockholm Syndrome
The Groove
Starlight
Supermassive Black Hole
Uprising
Reapers
Encore:
Uno
Plug In Baby
Knights of Cydonia

See photos from the show below

 

#matthewbellamy #mattbellamy #muse #MuseDrones #psychouktour

A photo posted by Agadoo (@agathebliss) on

 

Chris though #Muse #Chriswolstenholme #psychotour #gig #brightondome #concert #psycho #rock #photography #cute

A photo posted by Liz Deegan (@lizzydeegan_) on

 

The beautiful boy #mattbellamy #muse #psychoTour #BrightonDome

A photo posted by @vlb73 on

Muse release Drones on 8 June. The next chance to see them live in the UK is at Download Festival. See below for tickets and details. 
  • 17. 'Endlessly': A sorely overlooked gem from Absolution, showcasing the band's rarely seen subtle side as Bellamy mournfully pines over trip-hop beats and haunting electronica.

  • 16. 'Supremacy': The name's Bellamy, Matt Bellamy. A lot has been written about how this is the best Bond tune that never was - and how. With stadium rock anthemics, shrieking histrionics, call-to-arms lyrics and one helluva riff, this is all that Muse do best in one fierce and epic beast.

  • 15. 'Agitated': Muse's first three records came with a plethora of incredible b-sides - surprising early fans by showing their more unhinged side. From the dark art-rock of 'Spiral Static' to the twisted madness of 'Yes Please', their b-sides are a treasure trove of awesomeness for fans to discover - but it's 'Agitated' above all others that has a special place in the hearts of Musers.

  • 14. 'Microcuts': By far one of the most challenging and astounding tracks they've ever recorded, it lies at the centre of what makes Origin Of Symmetry such a masterpiece: darkness, paranoia, fearless ambition, and it's heavy as hell. That outro riff sounds bloody brilliant live too.

  • 13. 'Map Of The Problematique': It's essentially their take on Depeche Mode's 'Enjoy The Silence', which was only ever going to be wonderful.

  • 12. 'Resistance': The sound of Matt, Dom and Chris travelling back to the 1980s for some Ultravox meets Depeche Mode stadium cheese. Come on, Wembley: "Love is our resiiiiiiiiistaaaaaaaaaaance"

  • 11. 'Dead Star': The closest Muse have come to metal, this stand-alone single was a double A-side with the magnificent 'In Your World' in 2002 and really does deserve to be played live. There's so much to enjoy: that riff, that chorus, those drums, that bassline, that scream: "FIIIGHTING YOURSEEEEELF"...

  • 10. 'Hyper Music': Few bands could get away with releasing a track this delightfully demonic as a single.

  • 9: 'Thoughts Of A Dying Atheist': Matt Bellamy channelling The Smiths, with surprisingly brilliant results.

  • 8. 'Hysteria': One of the most iconic basslines of the last 20 years, let alone one of the finest and most anthemic rock singles of the millennium.

  • 7. 'Knights Of Cydonia': One of those rare incredible tracks that's perfect for both giving a show an explosive opening, or ending on an almighty high. This space-rock magnum opus where Ennio Morricone meets Queen and Star Wars is probably the best song about war on Mars that you'll ever hear.

  • 6. 'Newborn': The incredible opener to the seminal Origin Of Symmetry, this was the first track to really crystallise the epic melodrama and balls-out madness that Muse would come to do so well. From the haunting lullaby-esque intro to that monolithic riff, guitar solo, the desperate gasps in between vocals and absolutely MEGA chorus, it's far more worthy of the classic status that 'Plug In Baby' overshadows it with.

  • 5. 'Muscle Museum': Their first track to really get people's attention, it sounds as essential today as it did back in 1999. The arresting combination of syncopated drums, that chugging robotic bassline and Greek guitar (not to mention one of Bellamy's highest-pitched howls) have left fans gagging for its return to their live set.

  • 4. 'Supermassive Black Hole': It may totally ape the sound of underrated Belgian stoner-rockers Millionaire (something the band themselves admit) but that menacing combo of Marilyn Manson and Prince makes for Muse's sexiest moment, most accessible and awesome single.

  • 3. 'Space Dementia': This thundering piano epic is an entire opera, packed into six minutes.

  • 2. 'Madness': Beautiful stuff. Why? It simply boils down the elements of Muse's most interesting latter day experiments into a pure and simple form. It picks up the ambient and minimal electronica that they last covered on Absolution's 'Endlessly' and lifts it with the groove of 'Sign O' The Times' by Prince and drives it along with the slow but bright-burning fire of U2' Achtung Baby and the life-affirming 'A Kind Of Magic' by Queen. All the bombast is laid to rest in a bright and elegant bubble of pop.

  • 1. 'Citizen Erased': The jewel in the glittering crown of Origin Of Symmetry, fan favourite 'Citizen Erased' sees Muse set the bar for ambitious stadium rock. At a time when everyone was stripping their sound down to meet the ascent of Converse-wearing garage rock, Muse were storming the world with their freakshow live tour as three mad scientists showed that rock wasn't stale - the focal point of those gigs being this 7 minute, multi-layered, modern rock existential odyssey. It's their 'Paranoid Android' - albeit infinitely better.


Photo: Wenn