Hear the Muse classic given a heartbreaking makeover
Andrew Trendell
13:40 18th July 2016

A modern rock classic and a staple of any proper indie dancefloor, Muse's 'Supermassive Black Hole' may be driven by groove, but there's a pure yearning at its very heart. No one understands that more than rising star Sophie Longshaw. Hear her heartbreaking cover of the track on Gigwise first below. 

Having just signed to Twin Records, the 20-year-old Sheffield singer-songwriter has wrapped her unique voice and world view about the Muse single, to give it an all-new aching and melancholic twist. 

"‘Supermassive Black Hole' was an important track for me through my teens, partly because it was on the Twilight soundtrack," says Sophie. "My sister and I played it over and over. I wanted to play it but I couldn’t get the power of Matt Bellamy’s high vocals so I transposed it down a few tones. It gave it a different feel, a different sort of power."

She continues: " A lot of the songs I’m recording for my first album have this stripped down, indiepop-downtempo feel, many of them intimate snapshots of my own life."

Sophie Longshaw's double A-side single 'In The Morning'/'Let's Go To The Beach' later this year.

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Salute Muse's absolute finest songs

  • 17. 'Endlessly': A sorely overlooked gem from Absolution, showcasing the band's rarely seen subtle side as Bellamy mournfully pines over trip-hop beats and haunting electronica.

  • 16. 'Supremacy': The name's Bellamy, Matt Bellamy. A lot has been written about how this is the best Bond tune that never was - and how. With stadium rock anthemics, shrieking histrionics, call-to-arms lyrics and one helluva riff, this is all that Muse do best in one fierce and epic beast.

  • 15. 'Agitated': Muse's first three records came with a plethora of incredible b-sides - surprising early fans by showing their more unhinged side. From the dark art-rock of 'Spiral Static' to the twisted madness of 'Yes Please', their b-sides are a treasure trove of awesomeness for fans to discover - but it's 'Agitated' above all others that has a special place in the hearts of Musers.

  • 14. 'Microcuts': By far one of the most challenging and astounding tracks they've ever recorded, it lies at the centre of what makes Origin Of Symmetry such a masterpiece: darkness, paranoia, fearless ambition, and it's heavy as hell. That outro riff sounds bloody brilliant live too.

  • 13. 'Map Of The Problematique': It's essentially their take on Depeche Mode's 'Enjoy The Silence', which was only ever going to be wonderful.

  • 12. 'Resistance': The sound of Matt, Dom and Chris travelling back to the 1980s for some Ultravox meets Depeche Mode stadium cheese. Come on, Wembley: "Love is our resiiiiiiiiistaaaaaaaaaaance"

  • 11. 'Dead Star': The closest Muse have come to metal, this stand-alone single was a double A-side with the magnificent 'In Your World' in 2002 and really does deserve to be played live. There's so much to enjoy: that riff, that chorus, those drums, that bassline, that scream: "FIIIGHTING YOURSEEEEELF"...

  • 10. 'Hyper Music': Few bands could get away with releasing a track this delightfully demonic as a single.

  • 9: 'Thoughts Of A Dying Atheist': Matt Bellamy channelling The Smiths, with surprisingly brilliant results.

  • 8. 'Hysteria': One of the most iconic basslines of the last 20 years, let alone one of the finest and most anthemic rock singles of the millennium.

  • 7. 'Knights Of Cydonia': One of those rare incredible tracks that's perfect for both giving a show an explosive opening, or ending on an almighty high. This space-rock magnum opus where Ennio Morricone meets Queen and Star Wars is probably the best song about war on Mars that you'll ever hear.

  • 6. 'Newborn': The incredible opener to the seminal Origin Of Symmetry, this was the first track to really crystallise the epic melodrama and balls-out madness that Muse would come to do so well. From the haunting lullaby-esque intro to that monolithic riff, guitar solo, the desperate gasps in between vocals and absolutely MEGA chorus, it's far more worthy of the classic status that 'Plug In Baby' overshadows it with.

  • 5. 'Muscle Museum': Their first track to really get people's attention, it sounds as essential today as it did back in 1999. The arresting combination of syncopated drums, that chugging robotic bassline and Greek guitar (not to mention one of Bellamy's highest-pitched howls) have left fans gagging for its return to their live set.

  • 4. 'Supermassive Black Hole': It may totally ape the sound of underrated Belgian stoner-rockers Millionaire (something the band themselves admit) but that menacing combo of Marilyn Manson and Prince makes for Muse's sexiest moment, most accessible and awesome single.

  • 3. 'Space Dementia': This thundering piano epic is an entire opera, packed into six minutes.

  • 2. 'Madness': Beautiful stuff. Why? It simply boils down the elements of Muse's most interesting latter day experiments into a pure and simple form. It picks up the ambient and minimal electronica that they last covered on Absolution's 'Endlessly' and lifts it with the groove of 'Sign O' The Times' by Prince and drives it along with the slow but bright-burning fire of U2' Achtung Baby and the life-affirming 'A Kind Of Magic' by Queen. All the bombast is laid to rest in a bright and elegant bubble of pop.

  • 1. 'Citizen Erased': The jewel in the glittering crown of Origin Of Symmetry, fan favourite 'Citizen Erased' sees Muse set the bar for ambitious stadium rock. At a time when everyone was stripping their sound down to meet the ascent of Converse-wearing garage rock, Muse were storming the world with their freakshow live tour as three mad scientists showed that rock wasn't stale - the focal point of those gigs being this 7 minute, multi-layered, modern rock existential odyssey. It's their 'Paranoid Android' - albeit infinitely better.


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