Have one day off from drinking every week: thatâ€™s the current mantra of gregarious Blur bassist Alex James. The one-time hell raiser and Fat Les leader is now presenting a new version of cult 80s music programme, The Tube, for Channel 4 Radio with ex-Blue Peter starlet Konnie Huq, MTV newcomer Emily Rose, and Factory Records boss Tony Wilson.
Like the music heâ€™s made with Damon Albarn and co, James is nothing if unpredictable. At Britpopâ€™s height, James was a Bollinger quaffing social raconteur who drove emotionally fragile band mate Graham Coxon to the brink of insanity and Benny Hill-inspired pop videos. James once owned keys to The Grouch Club and claims to be responsible for 1% of the UKâ€™s Champagne imports in 1996.
Now reinvented as a sober astronomer, pilot and horticulturist, James lives on a farm with his wife and three children in south west England. All that talk of big houses in the country wasnâ€™t a joke. Heâ€™s just added another string to his bass by presenting The Tube once a month from Manchester. So how did it come about?
â€œIt was just one of those phone calls you get and had to answer,â€ he says in a sonorous voice. â€œIt was either youâ€™re in trouble or youâ€™re about to be asked to do something amazing.â€ Nineteen years after The Tube made its debut on Channel 4 with presenters Paula Yates and Jools Holland, itâ€™s making a comeback.
James, who was 14 when The Tube began, has vivid memories of the original series, which gave exposure to the likes of U2, Duran Duran and Simple Minds. Convinced the format could be vastly updated, James was on board after bumping into Konnie Huq at a party and hearing sheâ€™d signed up.
â€œI hadnâ€™t met Tony Wilson before, but I was heavily into Factory Records as a kid, the guy is an absolute legend,â€ James says generously. â€œPeople say you shouldnâ€™t meet your heroes as youâ€™ll end up disappointed. Thatâ€™s bollocks; people should always meet their heroes.â€
In order to refresh his memory, James re-watched The Tube: â€œIâ€™ve been watching the repeats in the middle of the night on channel 793 or whatever itâ€™s on,â€ James explains. â€œI thought it was complete bollocks ha ha, just two and a half hours of unwieldy music journalism. Flying in the face of 80s consumerism, yuppiedom and red Porsches, it was thoroughly objectionable to the establishment. Iâ€™m into flying in the face of things.â€
The new series, which began November 3, featured live performances from New Order, Camera Obscura and Clinic, as well as the underwear-wetting prospect of REM singer Michael Stipe chatting to Tony Wilson. James says heâ€™s excited by the prospect of putting on his favourite artists, and promoting new ones.
â€œWith the new show thereâ€™s a responsibility to fill it with the best music and be editorial. Itâ€™s important not to make it too Manchester-centric, but having said that, two of my favourite bands, New Order and The Smiths, are from the city.â€
â€œNew Order are getting a bit old now,â€ he adds cheekily. â€œIâ€™ve actually been working with Barney [Bernard Sumner] on some thingsâ€¦â€ his voice tales off suddenly. â€œIâ€™m not saying anymore than that at the moment.â€
Away from his new-found talent for presenting, James is enjoying sobriety and family time. â€œLife is treating me very good indeed. I moved to the countryside with my wife [video producer Claire Neate] when our first child [Geronimo] was born, but I drive up to London regularly.â€ He became a dad to twin boys, Artemis and Galileo in April, and spends his time recording in his barn studio for side project Wigwam, gardening and star gazing.
â€œRecording my own music was about confronting weaknesses and stretching myself as an individual,â€ he explains. Buoyed by Albarnâ€™s creativity, his respect for his band mateâ€™s music is heartfelt. â€œI still donâ€™t think Damon gets the credit he deserves as a songwriter, or for creating amazing work year after year,â€ he adds.
â€œIâ€™ve not seen The Good, The Bad & The Queen play yet, but my wife saw them and said they were incredible. Damon always does stuff for the right reasons and you couldnâ€™t wish to work with a better songwriter.â€
There could be good news for Blur fans too, according to James, as a reunion with erstwhile guitarist Graham Coxon could be on the cards: â€œWeâ€™ve all been talking to each other recently and I chatted to Graham the other week. It seems everyone has kiss and made up now and there could be a happy ending.
â€œWeâ€™re going back into the studio next year to record and obviously we all want Graham on board, but we will make a record with or without him...Itâ€™s looking hopeful. Watch this space.â€ Despite Jamesâ€™ infectious enthusiasm, thereâ€™s been no word from Coxon.
Jamesâ€™ current muse is Joni Mitchell, Roy Orbison and Eddie Cochran. â€œIâ€™m going back in time musically,â€ he says. â€œIâ€™m trying to see beyond The Beatles by listening to the stuff they were influenced by. You think you canâ€™t go back any further than Eddie Cochran when it comes to rock â€˜n roll but you always can. Have you heard â€˜Tea For Twoâ€™ [by Vincent Youmans and Irving Caesar?] Itâ€™s a fucking amazing song.â€
Talk of co-writing an opera with â€˜The Kraysâ€™ actor Steven Berkoff, is currently on ice, but James is expecting a visit to his farm from Scottish chanteuse KT Tunstall next month to work on an as-yet untitled project. Despite this wholesome showbiz bonhomie, Jamesâ€™ favourite subjects are gardening and astronomy. Gigwise is keen to learn more. With the beetroot harvest now over, James says itâ€™s time to bring in the tomatoes. â€œHereâ€™s a great cooking tip for Gigwise,â€ he adds, â€œstick apples in the oven for an hour when youâ€™re roasting pork. The smell and taste is out of this world.â€
â€œPeople tend to have a negative perception of agriculture in this country,â€ James says with a touch of dismay. â€œThatâ€™s a shame, when Iâ€™m down on my allotment and Iâ€™m picking apples I realise this is real Garden of Eden stuff. Itâ€™s a religious experience.â€ When heâ€™s not knee-deep in compost, heâ€™s looking at stars: â€œWeâ€™re living in a golden age of space travel and will witness monumental changes in our lifetime,â€ he says. â€œLast night was crystal clear, I never get over the wonder of looking into deepest space,â€ he adds. Neither do we Alex, neither do we.
The tube is available to listen to online NOW at www.channel4radio.com. Each episode is released on-line at 6pm on the first Friday of every month.