




Acoustic reggae soul is probably the best way to describe the type of music that Natty makes. However, there’s definitely more emphasis on the word soul, due in part to his offering of tales of struggle, good times, and political problems, all topped off with his painfully sincere vocals. Critically acclaimed, thanks to his performance on ‘Later with Jools Holland’, and his on tour antics with close friends Adele and Kate Nash, Natty’s message is one of revolution. ‘Man Like I’ is an assortment of conscious records and high spirited tracks that may relate to relationships, young Britain, or whatever you as the listener feels like they should relate to.
‘Bedroom Eyes’ is a beautiful song with a beautiful message. A tale of non-compromising love, Natty breaks down his relationship with a woman who he’s ready to face to the world with forever. Their unconditional bond is expressed in a manner that only folks who have ever been in love can truly understand. And for those who haven’t it’s an education. With some chilling but emotionally deep guitar skills displayed throughout, this track is an example to all musicians on how to write and perform a hit without forcing it. Another example of this is the tell-it-like-it-is ‘Coloured Souls’. While some may be scared to admit the problems that we as UK citizens face on a daily basis, Natty is not. Singing lines like, “We’re the Playstation generation, X-Boxed up on your CCTV/ You can file us under hoody or asbo as you take away our identity,” and, “Sometimes we reminisce about our school days when we were care free/ ‘Cos 13 grand a year means you’re left with nothing but worry,” he’s pointing out the problems with this Country yet at the same time letting the folks involved know that they’re not alone. Striking a balance throughout the album seems to be Natty’s main focus.
Being that many of subjects featured on ‘Man Like I’ point at a revolution it’s only fitting to feature a track with the same title. ‘Revolution’ is a short but concise piece of music where Natty describes his dream of an uprising. Apparently written whilst staring at his own reflection, it’s a dark account of a thinking mans thoughts. Adding slightly more description so that listeners can visualize his words, ‘Burn Down This Place’ is another tale of revolution but this time with more historic references. There’s even an uplifting chorus on this go round, which is quite bizarre considering Natty is talking about burning down his surroundings and non-physical shackles.
Aside from ‘Bedroom Eyes’, the other killer moment is ‘Badman’. Its up-tempo riff and London man-on-road mentality is a moving dedication to today’s younger generation. Music has changed meaning that the culture accompanying it has changed. The UK has found its own voice and identity. What was once a US copyright infringement, the way in which British youths today wear their hats, trainers and shirts, is now a trend that was birthed in London. This song is a testament to that while at the same time acting as a summer anthem for those that it’s directed at.
Inspirational, soulful, and without question revolutionary, this album is this summer’s ‘Welcome To Jamrock’, and that’s being kind to Bob’s youngest son.
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