




When Daron Malakian spoke to Gigwise a month ago he explained that Scars on Broadway’s debut record would be a “pretty eclectic album with a lot of attitude”. The word eclectic can be taken with shades of grey because the levels of diversity are dancing somewhat into the empty half of the glass. However, attitude can be found in abundance.
Messages of “**** the world”, “how are we gonna kill each other” and “do you like drugs” create a pertinent texture to the typically unpredictability of Malakian’s music.
‘Chemicals’ is a notable slap in the face that will leave you with a sly smirk rather then a frenzied loathing. The creepy chants of “Come eat some chemicals with me” and the aggressive power of words such as: “Oh maybe baby won’t you rape me” prove Malakian has a sinister creativity that not only sends shivers down your spine but deep into your blood.
A huge difference between this album and any efforts of Malakian’s former band is the power of the vocals. Words were always cleverly positioned for optimum impact but the simplicity of them now standing at the forefront allow for a new dimension that proves this is not just a lovechild of System Of A Down but more a sadistic cousin who spends his time boozing with the local psychopaths.
Speaking of psychopaths, ‘Stoner Hate’ explores an assortment of words and phrases with “supercalifragilisticexpialidocious” commencing things and the statement of “California’s been invaded by a hippie psychopath.” It’s certainly difficult to imagine what goes through Malakian’s mind but entertaining to pay attention to every detail that drips out.
The job going on behind Malakian’s creation should not be held likely too. John Dolmayan holds a comforting blanket over the madness that lies within by expertly diving into his years to find the true complimentary rhythm. His presence is especially felt on the exciting changes of ‘Funny’.
Other imposing moments include the multi-layered ‘Exploding/Reloding’ which includes the line: “I like suicide mixed with Jesus Christ,” and 'Enemy’, which thanks to its impulsive funky opening allows added impact for the forthcoming calm yet exuberant chants of “We’re all on drugs.”
Rumours of a System reunion have had fans in dispute and with this album showcasing just how free Malakian can be if given the chance perhaps it’s time to put that last rose on the headstone of System and buy Scars On Broadway a house warming present.
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