
Not so long ago the Donnas were just another relatively unknown band from Bay Area, belting out punk rock for Green Dayâs former label Lookout! Fresh out of school and borrowing both their sound and image from punk legends the Ramones, they were just small fish in a sea of similar bands. But upon turning 21 they signed up to an expensive corporate makeover, teamed up with higher profile producers, and grew away from their roots to embrace the old school rock of ACDC. Songs such as old single âTake It Offâ were likeable girly twists on rawk n roll Darkness style, but the Donnas seem to have lost the little spark they ever had, and their hearts just arenât in it for âGold Medalâ.The main problem is that the Donnas are so far removed from the rock hedonists they idolise. So what we get here is a totally pointless and watered down reversal of 80âs male rock chauvinism. âFall Behind Meâ sets off like Status Quo before a rapid descent into substandard âRocket Queenâ era Guns n Roses style mockery. âDonât Break Me Downâ is a song built around half an idea, and the less said about the laughable title track the better, although at least its country rockabilly feel is a welcome break in style. âIs That All Youâve Got For Meâ is musically sound but ruined by the disastrous rhyming of âfreeâ with âmeâ (see elsewhere for a particularly cringe-worthy âgraveâ and âcaveâ, ouch!). Brett Anderson is really clutching at lyrical straws throughout, and is probably unaware that her audience is also left wondering âIs that it? Just a copy of a copyâ.
So all the hand claps, Angus Young style solos and backing vocals are all in the right places, but thatâs just not enough. Itâs all just too comfortable, measured and, wellâŚpleasant. Your Nan wouldnât find this in the least offensive, and given their spic and span image itâs tough to believe the Donnas ever go to bed after 11. âGold Medalâ is missing the spark, blood, sweat and tears that it supposes to celebrate. The lack of killer riffs and choruses necessary for a good record are just glossed over with slick production. But I guess thatâs the inherent danger when borrowing Avril Lavigneâs producer. This has been done many times before, and far far better too.
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