Loney, Dear are another gift of Stockholm, Sweden (Thank you for The Knife, for briiiinging it to us!.) 'Sologne' comes sealed aside a pretty little booklet scattered with the confession: Emil Svanängen likes photographs of trees against night blemished skies (also day bright blue ones) and lone houses warmed by fire-like indoor lights. Emil, multi instrumentalist, writer and singer has a sweet little voice (those Scandinavian tykes) for a man too old to drop them anytime at all anymore (no, not that old, just not a tweenie or a teeny). The entire Loney, Dear, the nine members with various talents, have a few albums under their buckles and are the newest signing of indie label Something in Construction (Damn Arms etc). And if you can judge a band by their ‘friends’ then Loney, Dear’s ownspace front page friends include Gillian Welch, Regina Spektor and Sigur Ros. Hayden, Kings of Convenience and cousin of Bjork are suspected of being hidden in the back screens somewhere. Loney, Dear have played alongside Devandra Banhart, Clap Your Hands Say Yeah, Sonic Youth and Peter Bjorn and John.
First track ‘I Fought the Battle of Trinidad and Tobago’ has Emil’s boy tones softly tread the words "I’ve been watching you from the other side, I know you so well" set upon guitars with ever increasing intricacies, angelic ‘ah’s and whistles. ‘Where Are You Gogogoing To?’ could have been on the Magnolia soundtrack; "From your point of view you’d better let it be…It’s in your ears. It’s in your he-ar-ar-ar-art. It’s what I te-te-te-te-tell you…" An ascension of advice strapped on a backdrop of accumulated constructed confusions minus the coke habit (we hope), but in keep with the whines. It’s a bit of folk from your valium hoarding psychiatrist/relative who just wants to help, a little. Lovely stuff.
‘The City, The Airport’ is the liveliest number with triangle tones tinted on brass, and joint vocals that veer closer to the jolly side. Among those scented with notes of Kings of Convenience’s verses are sad struck ‘Le Fever’ and ‘In the Arms’ with their magical introductions and harmonies. ‘Grekerna’ is a simple sans vocals sixties churchy number, over keyboard of sorts, on revelation: Cool, under bluesy, jazz intonations. ‘Won’t You Do?’ has all the squeaky sounds of the hands moving through the guitar to get the ambers of your soul warm and glowing during the final 2 minutes 31 seconds that will keep you in fuzzy lamp lit musings a little longer.
Like a Christmas present, Halloween treat or Easter surprise, Loney, Dear’s 'Sologne' is a welcome bundle of glistening chocolate coated loveliness that made it to the music player in time to tip the globe. 'Sologne’s that snow simulating globe who’s been staring through you a year or more from his home at the mantle piece; a paper weight on promising poems heavy with enchanted thoughts. Release him or regret.