




If you’ve ever used the touch-screen jobpoints at the jobcentre, then you’ll know that the same shitty opportunities always pop up working for companies like McDonalds, Topman, ASDA et al. Anyone with a bit of memory and an interest in music will notice the same happens with bands. You always get a pool of them that float about just being there and not much else. Coldplay, Starsailor, Keane and Embrace fit into this category. They create big production, big gig guitar music that’s ideal for bland big budget Hollywood blockbusters and people who don’t want to be vexed or challenged by music.
Its Arga using, Volvo driving, tree-lined suburb music that isn’t even worthy of dissection. Its for dads trying to recapture glory days; it’s for mums who once fancied a bit of longhair love action but never got the chance; it’s a safe bet, it’s a suitable LP to play while your kids are running about the house because you know they won’t stop and start questioning the abrasive lyrics or diabolical guitar riffs because there are none, its ****ing goat’s cheese.
Unlike the jobcentre, music gives you a choice. It offers you a mars bar if you want it but it also waggles a Drifter or Curly Wurly in your face. Embrace are nowhere near a Curly Wurly nor a mars bar. They are Bournville. No one buys Bournville except for people in prison.
‘This New Day’ is Radio 1 drivetime horse-feed from start to end. Embrace have always been poor, just like Jo Whiley’s judgment when she first started spouting baffling promotional crap about them in the 90’s. Fair enough, they’ve got the gonads to carry on regardless but it’s clear that music is at the bottom of their to-do list.
‘I’d always felt I was about 20 feet from the fire, this time round I’m standing right in the middle of it’ blurts wobbly voiced Danny McNamara. ****ing right you are. Burn.
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Have you actually listened to Even Smaller Stones or Sainted?
the most this man can actually reference from this album is one song.
is it just me or do these people have contempt for anyone with little more than selected appeal?
this album is cram packed with hard-hitting tunes that follow all direction that i find difficult to fault. so what if they’re not following new lines? what they lack in style they make up for in substance.
it’s not embrace’s fault that the test-icicles will never sell out arenas, so kindly shut the hell 
Interesting. You may well be the anti-thesis of Embrace, Paul Robinson, but everything you’ve written is symptomatic of a contempary music culture overridden by banal posturing and blinded by such inane pretentions.
I’ve heard only snippets of the album, but what I have heard is a long way from what you are trying to describe as placid and unchallenging [is that what you’re trying to say? I couldn’t tell through the ineffective, half-baked analogies].
I’d love to live in Bourneville. It’s a wonderful place to be. You’ve plainly never been, you’d realise your analogy was perfectly suited and not a negative.
10/10 for the review. Scintillating. Best of luck in your career as a reviewer, but I doubt you’d be able to crack a living out of this game sufficient to by a wheelie-bin, let alone a home there.
Best of luck!
Paul Robinson?
Isn’t he some shite character from Neighbours?
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