The Holy Interview - David Holmes

“I had to do this myself”. David Holmes, DJ, composer and soundtrack arranger extraordinaire, is contemplating the introspective process of putting together his long awaited fourth album proper, 'The Holy Pictures'. The new album is a monumental roller-coaster of emotion that sucks the marrow of Holmes’ life in Belfast city and commits it to tape in all its expansive Technicolor. It deals with love, birth, heartbreaking loss and the ever present spectre of death and mortality, tracing it’s conceptual genesis back to his mother’s passing in the mid nineties. It’s a departure from the ostentatious fantasy soundtracks that you may expect from Holmes, an album of constant juxtaposition encapsulating the stark collision of tragedy and joy seeking that the world has watched unfurl through Belfast's streets on news reports over the last thirty years. At once uplifting yet haunting, it has certainly been the most difficult album he’s put together but it may very well be the best thing he’s ever done.

Having spent the summer reacquainting himself with live audiences across the festival circuit with appearances at events such as The Big Chill and Green Man, David is currently back in Belfast preparing for the release of 'The Holy Pictures' and battling against the floods currently sweeping Northern Ireland. “It’s not so bad, I’ve been getting used to this for the last 30 odd years, so you know, but it’s been the wettest summer on record. The worst thing about that is that it just goes straight into winter which is so depressing.” The prospect of eternal winter may explain his unmusician like enjoyment of current promotional duties. “Well I’ve been doing a lot of press for the new record, and, well interviews are fine if you actually have something to say, you get approached all the time for interviews when you’ve nothing to say, but now I do, so it’s been fun.”

Between his mother's death in 1996 and the release of ‘The Holy Pictures’ Holmes has recorded countless soundtracks, most notably working with Steven Soderbergh on the Oceans franchise, other solo albums and worked with the Free Association before finally getting down to in earnest to the process of soundtracking the experiences and themes that he had been building and storing over the last decade. Given the themes of the ‘The Holy Pictures', it's a surprisingly joyous album with tracks such as first single 'I Heard Wonders' and 'Holy Pictures' conjuring Kevin Shields-esque tinged, techno-souled wall of sound binges.

“When you have a record that’s this personal, it’s roots firmly planted in Belfast and family, through major loss in your life, losing your parents, losing your friends it’s a hard process”, notes Holmes looking back, “but it’s not just about that, I think there’s a very positive air about the record too, like a celebration. I don’t think it’s a depressing record. So what I was trying to say is that it’s the process that began back then, and the whole process of this record was very organic, I just never felt ready before.”

The organic approach left Holmes with an unprecedented period of creativity producing vast swathes of material as he searched for the perfect tracks to complete his vision. “It got to the stage where I had 30 or 40 tracks so it was definitely a case of editing down for this album, and there were some cases where I was writing four or five tracks just to get one that I really liked.” Initially Holmes concept was a loose ideal, he just knew that he wanted to make an album with solidity and cohesion that captured his experiences growing up and becoming a man within his family and his home city. Pinpointing as he has the death of his mother as the beginnings of this desire it was a second death that focused his mind onto the concept of the record.