- by Jason Gregory
- Tuesday, June 10, 2008
- filed in: Indie





The fact that ‘Viva La Vida…’ opens with an instrumental (‘Life In Technicolor’) probably says a lot about Coldplay’s intentions with this album. Whereas Martin was once the predominant force driving the band’s music – one thinks of his piano instrumentals in ‘Clocks’ and ‘Shiver’, or even his acoustic guitar in ‘Yellow’ – the rest of Coldplay, particularly guitarist Johnny Buckland, have all come to the fore this time around. Buckland’s guitar chortles menacingly in ‘Cemeteries of London’, which sees Martin cast an eye over a dark capital city, and disports wildly on first single ‘Violet Hill’. There’s even a nod to the Hispanic surroundings that much of the album was crafted on the deeply sung ‘Yes’, before the faint calling of a Scottish piper crops up later on ‘Strawberry Swing’.
If there’s one area where Coldplay fail to show much progression on ‘Viva La Vida…’, it’s in Martin’s songwriting. Yes, he’s broadened his lyrical landscape to challenge everything from religion to the meaning of life and death, but it often comes across as one step too far. “You might be a big fish in a little pond,” he sings on ‘Lost’, before adding: “It doesn’t mean you’ve won, because along may come a bigger one.” Although the symbolism is there, at times Martin still lacks the ability to link his intentions together with any real sense.
But, that said, ‘Viva La Vida…’ on the whole is a fantastically unexpected and spontaneous comeback from a band that never really went away. Martin has said that the intention with the record was to get better, not bigger; and, for once, it’s hard not to take him seriously.


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